Previous post about Joseph Losey and the film M Klein: A behind-the-scenes introduction to M Klein
The use of Paris locations in the shooting of Joseph Losey’s M Klein
Location shooting is always a hassle. Some locations, like the abandoned factory or iconic city park, are well known and repeatedly used by films. But often film locations hide under the surface of everyday life, requiring intimate knowledge of the city to pull them out. Joseph Losey never lived in Paris but was determined to use locations in the filming of M Klein, eschewing the safe confines of the film studio for the realism of the buildings and streets of Paris. Finding those locations rested on the shoulders of the Art Director, Alexandre Trauner. Trauner presented Losey with potential locations and if Losey approved the responsibility of permitting and other business arrangements were handled by the production company.

Though he experienced push-back from the production company related to the increased cost and logistical complexity, Losey prevailed, using thirty two locations for the shooting in M Klein. These locations admittedly increased production headaches but added greater realism to the film. Location shooting also kept everyone sharp since each day would throw unpredictable challenges at the crew, most of whom were experienced professionals who liked rising to the challenge.

The second Klein’s apartment was a good example. The location was at 42 rue des Panoyaux and has long since been replaced by apartment buildings. The exterior courtyard was used for the scene (“Concierge loge”) where the French Klein is looking for his double and he questions the concierge. The same location is used immediately afterwards in the film for the interior shots where the concierge allows the French Klein to inspect the Jewish Klein’s abandoned apartment. There was something sublimely ironic about famous movie stars and a well-known director having to work in filthy spaces only the poorest people would know.

As an illustration of location challenges, even arranging for the use of this building was complicated. The production company had to negotiate a shooting permit from the city government and a condition attached to the permit required extensive shoring of the building before the film crew would be let in, so there were significant costs in engineering and construction. Once everyone had jumped through the hoops, the actual filming required a complicated location setup. There was staff outside on the street managing the crowd of people who gathered hoping to catch a glimpse of Alain Delon, generator trucks with long cables supplying power, and intricate lighting setups because of cramped quarters. The camera crew didn’t have room to assemble their gear so that had to be done down the street at another address.

Then the snow started. It hardly ever snows in Paris, but nature chose that morning. There was nothing to do other than protect the equipment and reschedule.

Another location which, atypically, wasn’t in Paris but didn’t work out smoothly either was in Strasbourg and was used for the shots along the canal. On arrival in Strasbourg Losey had a serious asthma attack and was not well, adding to the stress.
The location along the canal had been scouted in advance, but someone overlooked that tracking shots were called for. The underfoot surfaces were rough – brick cobblestones and a wooden walkway – making any movement of the camera a challenge, much less the fluid moves Losey expected.


This was a serious problem because the clock was ticking – it had already cost a lot to move the whole production to Strasbourg and the shots needed to go off according the schedule. Everyone was under the gun. The machinists rigged up a hastily modified soft-tired Citroën Deux Chevaux with the Panavision camera on a tripod, tightly lashed to its floor. This whole rig was pushed by human-power but only after the bricks were wiped with sand to smooth them out a bit (which introduced its own problems).

It was also problematic that Klein’s father was in a wheelchair and at the beginning of the shot his caretaker had to push him while he spoke, with Robert Klein taking over partway through. In the resulting shot it’s obvious that sand has been spread around (it looks out of place) and there are a lot of wobbles in the movement of the wheelchair (and the car-mounted camera). Luckily, the actor playing the caretaker and then Delon, after he took over, were strong enough to get a marginally acceptable result.

In the next shot (on the problematic wooden walkway) the Deux Chevaux was used for the establishing shot with Klein’s body screening view of the sand that had been spread to even the walkway. The next shot, a side closeup, is a long tracking (rail) shot. Again, Delon had the challenge of pushing his father on slats that had been leveled as much as possible with sand, trying to power through and disguise the problem. A true professional, Delon was strong enough to concentrate on his role without appearing the least bit rattled.

Each location had its problems, some less than others but some more too. The complicated and costly stadium scene at the end of the film was so difficult that the filming broke down towards the end of the day, and the editor had to work to salvage what he could. But overall the use of locations did a lot to make M Klein echo the time and events it was portraying, and to enhance and reinforce the reputation of the film.
Other posts in this series about M Klein: Joseph Losey’s film M Klein: A behind-the-scenes look
Locations arranged by date
Name of scene | Location | Address | Filming date |
---|---|---|---|
Titles | |||
Cabinet du professeur Montandon et Salle d'attente & couloirs | Hôpital Cousin de Mericourt & Besson | 15, av Cousin de Méricourt 242230 Cachan | 1-Dec-75 |
Chambre/Salle de bains | Studios de Boulogne | 2, rue de Silly, Boulogne (Plateau A) | 3-Dec-75 |
Appartement Robert Klein | Studios de Boulogne | 2, rue de Silly, Boulogne (Plateau A) | 4-Dec-75 |
Appartement Robert Klein - Chambre | Studios de Boulogne | 2, rue de Silly, Boulogne (Plateau A) | 5-Dec-75 |
Appartement Robert Klein - Rez-de-chaussee | Studios de Boulogne | 2, rue de Silly, Boulogne (Plateau A) | 5-Dec-75 |
Repetition du spectacle Frantz Salieri | Studio Constant | 13, boulevard de Clichy | 6-Dec-75 |
Repetition du spectacle Frantz Salieri | Studio Constant | 13, boulevard de Clichy | 8-Dec-75 |
Salle des ventes | Hotel Intercontinental | 3, rue de Castilglione | 8-Dec-75 |
Boite de nuite | Cabaret: "La Nouvelle Eve" | 25, rue Fontaine | 9-Dec-75 |
Boite de nuite | Cabaret: "La Nouvelle Eve" | 25, rue Fontaine | 10-Dec-75 |
Coulisses theatre | Coulisses Theatre | 25, rue Fontaine | 11-Dec-75 |
Administration du journal | Imprimerie C.I.B. | 7, rue Darboy 75001 | 12-Dec-75 |
Rue de Paris, vers 2éme Klein | Rue de Paris | Rue Gasnier Guy | 12-Dec-75 |
Rue de Paris minutage | Rue de Paris | Rue Lepic (à l'angle de la rue de Lorient) | 15-Dec-75 |
Bistrot Telephone | Café "Au Réveil Matin" | 23 rue Chanzy | 15-Dec-75 |
Appartement Robert Klein | Studios de Boulogne | 2, rue de Silly, Boulogne (Plateau A) | 16-Dec-75 |
Photographe | Studios de Boulogne | 2, rue de Silly, Boulogne (Plateau A) | 16-Dec-75 |
Façade maison 2ème Klein | Façade Maison 2ème Klein | 42 rue des Panoyaux | 17-Dec-75 |
Loge Concierge | Loge Concierge | 42 rue des Panoyaux | 17-Dec-75 |
Maison 2ème Klein | Maison 2ème Klein | 42 rue des Panoyaux | 18-Dec-75 |
Maison 2ème Klein | Maison 2ème Klein | 42 rue des Panoyaux | 18-Dec-75 |
Rue maison 2ème Klein | Maison 2ème Klein | 42 rue des Panoyaux | 19-Dec-75 |
Cour & loge maison 2ème Klein | Cour & loge maison 2ème Klein | 42 rue des Panoyaux | 19-Dec-75 |
Appartement 2ème Robert Klein | Appartement 2ème Klein | 42 rue des Panoyaux | 19-Dec-75 |
Lycée Henri IV | Lycée Henri IV | 23 rue Clovis | 22-Dec-75 |
Rue immeuble 2ème Klein | Rue immeuble 2ème Klein | 42, rue des Panoyaux | 22-Dec-75 |
Cour maison Robert Klein | Rue du Bac | 110 rue du Bac | 23-Dec-75 |
Cour maison Robert Klein | Rue du Bac | 110 rue du Bac | 23-Dec-75 |
Cour maison Robert Klein | Rue du Bac | 110 rue du Bac | 23-Dec-75 |
Cour maison Robert Klein | Rue du Bac | 110 rue du Bac | 23-Dec-75 |
Cour maison Robert Klein | Rue du Bac | 110 rue du Bac | 24-Dec-75 |
Cour maison Robert Klein | Rue du Bac | 110 rue du Bac | 24-Dec-75 |
Appartement Robert Klein | Studios de Boulogne | 42 rue des Panoyaux | 29-Dec-75 |
Appartement Robert Klein | Studios de Boulogne | 42 rue des Panoyaux | 30-Dec-75 |
Appartement Robert Klein | Studios de Boulogne | 42 rue des Panoyaux | 30-Dec-75 |
Appartement Robert Klein | Studios de Boulogne | 42 rue des Panoyaux | 31-Dec-75 |
Appartement Robert Klein | Studios de Boulogne | 42 rue des Panoyaux | 31-Dec-75 |
Appartement Robert Klein | Studios de Boulogne | 42 rue des Panoyaux | 5-Jan-76 |
Appartement Robert Klein | Studios de Boulogne | 43 rue des Panoyaux | 5-Jan-76 |
Appartement Robert Klein | Studios de Boulogne | 44 rue des Panoyaux | 5-Jan-76 |
Appartement Robert Klein | Studios de Boulogne | 45 rue des Panoyaux | 5-Jan-76 |
Appartement Robert Klein | Studios de Boulogne | 45 rue des Panoyaux | 6-Jan-76 |
Prefecture, salle de reunion | Studios de Boulogne | 45 rue des Panoyaux | 6-Jan-76 |
Bureau Fonctionnaire | Studios de Boulogne | 45 rue des Panoyaux | 6-Jan-76 |
Répétition séquence Usine stage C | Studios de Boulogne | 46 rue des Panoyaux | 7-Jan-76 |
Boulevard Minutage (Exterieur) | Pont St-Louis, angle quai d'Orlean | 7-Jan-76 | |
Prefecture-Tri Stage A | Studios de Boulogne | 42 rue des Panoyaux | 7-Jan-76 |
Usine | Usine Citroën | Angle Quai André Citroën et rue Leblanc | 8-Jan-76 |
Depot | Caserne des pompiers | 1, Place Jules Renard | 9-Jan-76 |
Metro | Metro | 1, Place Balard | 9-Jan-76 |
La Coupole | La Coupole | 102, bld du Montparnasse | 12-Jan-76 |
Appartement Robert Klein | Studios de Boulogne | 42, rue des Panoyaux | 13-Jan-76 |
Morgue Stage C | Studios de Boulogne | 42, rue des Panoyaux | 13-Jan-76 |
Retake "Tapisserie" | Studios de Boulogne | 42, rue des Panoyaux | 13-Jan-76 |
Eglise | Eglise Saint-Eustache | Angle rue Montmartre et rue Coquillère | 14-Jan-75 |
Journee de voyage Paris/Strasboug | 15-Jan-76 | ||
Jardin Public | Strasbourg | Le Bord de L'Ill (Place Benjamin Zix) | 16-Jan-76 |
Gare Ivry la Bataille | Gare de Mortcerf 77220 | 19-Jan-75 | |
Quai gare | Gare D'Austerlitz | Quai gare | 20-Jan-76 |
Train en marche | Gare D'Austerlitz | Voie 21 Gare D'Austerlitz | 21-Jan-76 |
No call sheet, shooting cancelled | 22-Jan-76 | ||
Police car depot | Grand Palais | 22-Jan-76 | |
Maison Pierre | Rue St-Dominique | c/o M Netter, 11 bis, rue St-Dominique | 23-Jan-76 |
Kiosque | Rue du Bac | 110 rue du Bac | 26-Jan-76 |
Morgue Stage A | Studios de Boulogne | 42 rue des Panoyaux | 26-Jan-76 |
Scouting Château d'Esclimont | Château | 26-Jan-76 | |
Stade | "La Cipale" (Vélodrome Municipal de Vincennes) | Avenue de Gravelle Paris 12 | 28-Jan-76 |
Stade | "La Cipale" (Vélodrome Municipal de Vincennes) | Avenue de Gravelle Paris 12 | 29-Jan-76 |
Minutage | Place Lucien Herr 5ème | 30-Jan-76 | |
Int. autobus en marche | Autobus | 68, rue Coriolis (12ème) | 30-Jan-76 |
Eventuellement, décor: Retakes tapisserie | Studios de Boulogne | 42, rue des Panoyaux | 30-Jan-76 |
Wagons fin de film | Gabriel Lamé | 1 rue Gabriel Lamé | 31-Jan-76 |
Really enjoying this slice of cinema history that you are commemorating for the ages. I think location shooting is worth all the fuss and effort. Especially when it becomes a cultural artifact and a slice of history. Love the photos!
Fascinating insight into the complications of making a movie. May I share the article with granddaughter Leah who is studying film making at Concordia?