Bellas Artes is a white Carrara-and-Mexican-marble palace that rises above Avenida Juárez on the western edge of the historic center, facing the Alameda Central. It is home to many aspects of Mexican art, but especially to Mexican muralism.
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Photographs of people and place
Blog Archives
The Administrator’s Year: Running Vermont’s Most Radical CETA Arts Program
The history of American federal spending is littered with contradictions — moments when even unlikely leaders championed programs that would have lasting cultural impact. Such was the case with the Comprehensive Employment and Training Act (CETA), signed into law by President Richard Nixon in December 1973, not out of any particular regard for artists,
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Side by Side with Don Cherry: Notes from the Moki Years
Concert For a Field (Thetford, Vermont, 1970)
Don Cherry was always evolving, both a teacher and a student, moving on a musical and personal journey through many related but different landscapes. In the six years (1970 to 1976) when I knew him well, he was exploring a holistic fusion of life,
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Joseph Losey: The Blacklisted American Director Who Found Redemption in European Cinema
Joseph Losey transformed from promising American filmaker to one of Europes most celebrated auteurs.
Alexandre Trauner and Joseph Losey: Crafting the World of M Klein
When Joseph Losey set out to make M Klein in 1976, he turned to one of Europe’s most celebrated art directors, Alexandre Trauner, to help bring wartime Paris to life. Their collaboration on this film was not just a meeting of two accomplished professionals, but a convergence of personal histories and artistic philosophies that shaped the film’s haunting atmosphere and visual authenticity.
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Return to Damascus is my new book of photographs, available for order, that preserves fleeting impressions and the spirit of a place through the lens. Accompanied by brief reflections and memories, the photographs offer a tribute to the place and its people, focusing on enduring character and the subtle interplay of light, architecture, and tradition. Return to Damascus is a quiet celebration of observation and memory, inviting viewers to participate.
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| How Many Roads? is a book of photographs by Jonathan Sa'adah, available for order, offering an unglossy but deeply human view of the period from 1968 to 1975 in richly detailed, observant images that have poignant resonance with the present. Ninety-one sepia photographs reproduced with an introduction by Teju Cole, essays by Beth Adams, Hoyt Alverson, and Steven Tozer, and a preface by the photographer. | |
| If you'd like more information, please have a look at this page. | |
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| To see more work To visit my blog Contact information All material © Jonathan Sa'adah no use without written permission | |
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