Reginald Beck (1902-1992) edited eighteen films of Losey’s, beginning in 1958 and stretching to Losey’s last, in 1985.
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Photographs of people and place
Blog Archives
Laughter in the shadows: The chilling cabaret scene of M Klein
Losey hired Frantz Salieri to bring his flamboyant and imaginative queer cabaret style to M Klein.
Posted in Joseph Losey, Artists, Europe, Paris
Tags: Frantz Salieri, French Cinema, History of Film, Joseph Losey, Paris, queer cabaret
Tags: Frantz Salieri, French Cinema, History of Film, Joseph Losey, Paris, queer cabaret
Rebels in class: The birth of Pilobolus Dance Theater
There aren’t many arts organizations that survive fifty years, but the energetic dance group Pilobolus has surpassed the half-century mark and is still going strong. That’s not to say that getting to fifty has been easy. Part of its secret in attaining longevity has been that since birth it’s had an audacity and questioning of conventions that’s part of its DNA.
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Joseph Losey’s film M Klein: A behind-the-scenes look
▲ Joseph Losey 1970
Part of a series on the making of the Losey film, M Klein (available on the Criterion Channel)
Joseph Losey in Hollywood
People often don’t fit into neat boxes. Joseph Losey defied easy classification. In the 1930s and 40s he was a young,
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Posted in Joseph Losey, Artists, Paris
Tags: French Cinema, History of Film, Joseph Losey, Profiles, Second World War
Tags: French Cinema, History of Film, Joseph Losey, Profiles, Second World War
In search of Auxilio Lacouture
I’m not as big a recreational reader as I’d like to be. I’m not that fast a reader and I feel like after I’ve waded through all the web and print articles and news reports I’m interested in there isn’t a lot of extra time left over. But before going to Mexico City I set a goal of reading several books about the city and Mexico,
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Return to Damascus is my new book of photographs, available for order, that preserves fleeting impressions and the spirit of a place through the lens. Accompanied by brief reflections and memories, the photographs offer a tribute to the place and its people, focusing on enduring character and the subtle interplay of light, architecture, and tradition. Return to Damascus is a quiet celebration of observation and memory, inviting viewers to participate.
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| How Many Roads? is a book of photographs by Jonathan Sa'adah, available for order, offering an unglossy but deeply human view of the period from 1968 to 1975 in richly detailed, observant images that have poignant resonance with the present. Ninety-one sepia photographs reproduced with an introduction by Teju Cole, essays by Beth Adams, Hoyt Alverson, and Steven Tozer, and a preface by the photographer. | |
| If you'd like more information, please have a look at this page. | |
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| To see more work To visit my blog Contact information All material © Jonathan Sa'adah no use without written permission | |
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