Blog Archives

Quietly Quebec: French Canadians in Vermont

I’ve been thinking lately about two seemingly unconnected conversations. The first was with a friend, an immigration lawyer, who said that since Canada passed Law C-3 her business has been overrun with Americans applying for Canadian citizenship (C-3 eliminates the “first-generation limit”). The second conversation was with another friend who is married to a rural-born Quebecer who grew up in a lively farm family.

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Posted in Canada, Québec, Vermont
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Fall in Montreal

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Posted in Biking, Canada, Montreal, Montreal Unfiltered, Parks
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Montreal living: Triangle vs the Plateau

Comparing a new section of Montreal with the Plateau, an older and well loved neighborhood.

Posted in Montreal
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Unfiltered Montreal

Montreal is a city that refuses to be reduced to picture postcard clichés. Here, the gritty dep and styled food-market, the narrow ruelles and the wide boulevards, the laughter and longing, all exist side by side, unposed and unrehearsed. Montreal Unfiltered is an invitation to witness the city as it truly breathes: raw,

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Posted in Montreal, Photography, Québec
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A 23-year streak, broken

Exceptionalism exists in Canada too

Last weekend I was at a friend’s party in Montreal and sitting next to a man I had never met. It was noisy, a lot of people speaking excitedly and simultaneously, so the man leaned over towards me and asked me my name.

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Posted in Canada, Montreal, Social Documentary
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Return to Damascus is my new book of photographs, available for order, that preserves fleeting impressions and the spirit of a place through the lens. Accompanied by brief reflections and memories, the photographs offer a tribute to the place and its people, focusing on enduring character and the subtle interplay of light, architecture, and tradition. Return to Damascus is a quiet celebration of observation and memory, inviting viewers to participate.

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How Many Roads? is a book of photographs by Jonathan Sa'adah, available for order, offering an unglossy but deeply human view of the period from 1968 to 1975 in richly detailed, observant images that have poignant resonance with the present. Ninety-one sepia photographs reproduced with an introduction by Teju Cole, essays by Beth Adams, Hoyt Alverson, and Steven Tozer, and a preface by the photographer.
If you'd like more information, please have a look at this page.
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