▲ One of my home-made pizzas, ready to eat.
I love pizza. I don’t remember how this romance started, perhaps it was because of a stint I spent when I was young living near New Haven, Connecticut. My mother was reaching the point in her life where she was resenting cooking (though she was a great cook) and I filled in the spaces with pepperoni pizzas from a nearby pizza joint,
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Joseph Losey transformed from promising American filmaker to one of Europes most celebrated auteurs.
The Art Deco Aldred building is Montreal’s own “little Empire State”.
When Joseph Losey set out to make M Klein in 1976, he turned to one of Europe’s most celebrated art directors, Alexandre Trauner, to help bring wartime Paris to life. Their collaboration on this film was not just a meeting of two accomplished professionals, but a convergence of personal histories and artistic philosophies that shaped the film’s haunting atmosphere and visual authenticity.
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Moki Cherry was a multi-discipline artist working in textiles, painting, set design, costume creation, and more.
Return to Damascus is my new book of photographs, available for order, that preserves fleeting impressions and the spirit of a place through the lens. Accompanied by brief reflections and memories, the photographs offer a tribute to the place and its people, focusing on enduring character and the subtle interplay of light, architecture, and tradition. Return to Damascus is a quiet celebration of observation and memory, inviting viewers to participate.
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| How Many Roads? is a book of photographs by Jonathan Sa'adah, available for order, offering an unglossy but deeply human view of the period from 1968 to 1975 in richly detailed, observant images that have poignant resonance with the present. Ninety-one sepia photographs reproduced with an introduction by Teju Cole, essays by Beth Adams, Hoyt Alverson, and Steven Tozer, and a preface by the photographer. | |
| If you'd like more information, please have a look at this page. | |
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| To see more work To visit my blog Contact information All material © Jonathan Sa'adah no use without written permission | |
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