Mexico City architecture has many highlights, but Biblioteca Vasconcelos is an unusually fanciful space floating 600,000 volumes off a roof suspension system.
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All roads? Perhaps not …
I’ve never been totally comfortable with Rome. To be honest, I’ve always had problems with authority and authority figures, and there’s no city more populated with both than the old Roman capital. And that’s not even saying anything about the Vatican. I can be relatively sure that my ancestors paid a price to the Romans,
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Renting a bike in Mexico City
Theoretically, renting a bike in Mexico City as a tourist should be easy. In practice, it’s a bit of a pain (but follow me out). Mexicans with national cards can buy a year pass to ecobici for 400 pesos/21.26USD. As a tourist the rate is 300 pesos/15.95USD per week.
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Media versus reality
As the Aeromexico flight we’re on crosses the US-Mexican border I can feel a tangible change. Up until this invisible line there has been no deviation from a flight path: an arc out of Montreal and then a diagonal line towards Houston. As we cross the border flight attendants wheel a cart down the aisle full of free tequila and fruit juices and in the cockpit the captain curves the plane to the west just south of Matamoros and sets a long,
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¿Why visit Mexico City?
Mexico City fills to overflowing a huge valley that even just a century ago was mostly a lake. Humans pulled the plug on the water and filled in the lake, spawning a huge city that combines new land butting up to old shoreline and islands. Like Damascus –
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| How Many Roads? is a book of photographs by Jonathan Sa'adah, available for order, offering an unglossy but deeply human view of the period from 1968 to 1975 in richly detailed, observant images that have poignant resonance with the present. Ninety-one sepia photographs reproduced with an introduction by Teju Cole, essays by Beth Adams, Hoyt Alverson, and Steven Tozer, and a preface by the photographer. | |
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| To see more work To visit my blog Contact information All material © Jonathan Sa'adah no use without written permission | |
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