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A strong portrait can resonate, suggesting something universally recognizable in a specific individual. In that way, what begins as a personal act – photographing someone you know – can extend outward, becoming something shared, something lasting, and something quietly meaningful.
Evangelical Christian gathering in Central Park, 1967
From the time I started using a camera I’ve photographed people. Most of the time I’m completely open about what I’m doing, but I also like swinging the other direction and taking pictures where I’m more surreptitious and people are unaware of the camera.
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The eastern side of Sicily seems pretty laid back compared to Naples. People are friendly but not as outgoing; the culture seems a bit more drawn in. Driving is easy, not the blood sport it is in Naples (or Palermo).
As someone who calls Montreal home I often wonder why these gritty cities captivate me so deeply. Is it a romantic illusion? Part 2
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