The eastern side of Sicily seems pretty laid back compared to Naples. People are friendly but not as outgoing; the culture seems a bit more drawn in. Driving is easy, not the blood sport it is in Naples (or Palermo).
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Naples, Continued
Naples is a city of people who know how to live. The city is noisey and at its best smells of tobacco and car exhaust, but no one can argue with its passion and sublime beauty.
Naples, First Impressions
Naples’ fall from grace as once the largest and most prestigious city in Italy contributes to the irony of its present state. Centuries of economic struggles in southern Italy have forced Neapolitans to master the art of survival through an informal economy of street vendors, artisans, and small family businesses.
Manon 2007-2025
She probably wasn’t the prettiest cat in the world, but we certainly thought she was. In her early life she was a studio cat, and then during the pandemic she moved to our apartment where her job was to take care of us 24/7. We were supposed to do the rest…
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Return to Damascus is my new book of photographs, available for order, that preserves fleeting impressions and the spirit of a place through the lens. Accompanied by brief reflections and memories, the photographs offer a tribute to the place and its people, focusing on enduring character and the subtle interplay of light, architecture, and tradition. Return to Damascus is a quiet celebration of observation and memory, inviting viewers to participate.
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| How Many Roads? is a book of photographs by Jonathan Sa'adah, available for order, offering an unglossy but deeply human view of the period from 1968 to 1975 in richly detailed, observant images that have poignant resonance with the present. Ninety-one sepia photographs reproduced with an introduction by Teju Cole, essays by Beth Adams, Hoyt Alverson, and Steven Tozer, and a preface by the photographer. | |
| If you'd like more information, please have a look at this page. | |
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| To see more work To visit my blog Contact information All material © Jonathan Sa'adah no use without written permission | |
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