Blog Archives

Serendipity

Evangelical Christian gathering in Central Park, 1967

From the time I started using a camera I’ve photographed people. Most of the time I’m completely open about what I’m doing, but I also like swinging the other direction and taking pictures where I’m more surreptitious and people are unaware of the camera.

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Posted in Photography, Social Documentary


Eastern Sicily

The eastern side of Sicily seems pretty laid back compared to Naples. People are friendly but not as outgoing; the culture seems a bit more drawn in. Driving is easy, not the blood sport it is in Naples (or Palermo).

Posted in Italy, Architecture, Europe, Photography, Travel
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The Irresistible Pull of Gritty Cities

As someone who calls Montreal home I often wonder why these gritty cities captivate me so deeply. Is it a romantic illusion? Part 2

Posted in Social Documentary, Architecture, Canada, Europe, Mexico, Montreal, Travel
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The Irresistible Pull of Gritty Cities | Part 1 of 2

As someone who calls Montreal home I often wonder why these gritty cities captivate me so deeply. Is it a romantic illusion? Part 1

Posted in Social Documentary, Architecture, Canada, Europe, Mexico, Travel
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The Driver’s Dilemma: My Racing Dreams in a City of Bike Paths

Every year Montreal suspends reality as Formula 1 takes over the city.

Posted in Montreal, Photography, Transport
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Return to Damascus is my new book of photographs, available for order, that preserves fleeting impressions and the spirit of a place through the lens. Accompanied by brief reflections and memories, the photographs offer a tribute to the place and its people, focusing on enduring character and the subtle interplay of light, architecture, and tradition. Return to Damascus is a quiet celebration of observation and memory, inviting viewers to participate.

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How Many Roads? is a book of photographs by Jonathan Sa'adah, available for order, offering an unglossy but deeply human view of the period from 1968 to 1975 in richly detailed, observant images that have poignant resonance with the present. Ninety-one sepia photographs reproduced with an introduction by Teju Cole, essays by Beth Adams, Hoyt Alverson, and Steven Tozer, and a preface by the photographer.
If you'd like more information, please have a look at this page.
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