Yearly Archives: 2016

In search of Auxilio Lacouture

I’m not as big a recreational reader as I’d like to be. I’m not that fast a reader and I feel like after I’ve waded through all the web and print articles and news reports I’m interested in there isn’t a lot of extra time left over. But before going to Mexico City I set a goal of reading several books about the city and Mexico,

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Posted in Artists, Mexico
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Who said you have to smile for photos?

Lena Dunham (of the TV show Girls fame) has been having a public spat with a Spanish magazine, accusing the publishers of using Photoshop to improve her thigh. Usually, being “improved” is something people like. Objecting is a twist. Dunham says her problem is the result of a recent change that leaves her against the retouching of photos – 

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Posted in Portraits


Eating camel

I probably have the distinction of being the only member of my family ever to have eaten camel. Or is it the shame? My father was so shocked when I told him what I had done that his normally eloquent vocabulary left him stammering. I think he was, in reality,

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Posted in Mexico, Montreal


It’s about more than food

It’s ironic that Bernie Sanders gets tagged as insensitive to race issues – it’s not his problem – it’s Vermont’s. Vermont has a lot of positive qualities, but one is not ethnic diversity.

The situation was worse in the 1960s though.

As a kid I always felt like I didn’t fit in.

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Posted in Montreal


How different and goodbye to a Montreal institution

Since moving to Montreal in 2006 we’ve done a steady rotation of food shopping which consists of visits to an Arab-derived supermarket (Marché Adonis, now a province super-star), Kim Phat (an “oriental” supermarket), Costco, the farmer’s produce market just north of us (Jean-Talon), and a kind of mongrel restaurant supply warehouse full of food called Mayrand.

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Posted in Mexico, Montreal


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How Many Roads? is a book of photographs by Jonathan Sa'adah, available for order, offering an unglossy but deeply human view of the period from 1968 to 1975 in richly detailed, observant images that have poignant resonance with the present. Ninety-one sepia photographs reproduced with an introduction by Teju Cole, essays by Beth Adams, Hoyt Alverson, and Steven Tozer, and a preface by the photographer.
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