▲ Though a creature of the studio system, Fisher still chafed at waiting for his union crew to catch up. Losey liked that about him. Here he is quietly eyeing a studio setup while two electricians stand behind him. The man squatting on the right is Victor Rodrigue, the stills photographer for the film.…
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Photographs of people and place
Blog Archives
The Artful Eye: Gerry Fisher’s Cinematographic Journey
Montreal living: Triangle vs the Plateau
Comparing a new section of Montreal with the Plateau, an older and well loved neighborhood.
Laughter in the shadows: The chilling cabaret scene of M Klein
Losey hired Frantz Salieri to bring his flamboyant and imaginative queer cabaret style to M Klein.
Posted in Artists, Europe, Joseph Losey, Paris
Tags: Frantz Salieri, French Cinema, History of Film, Joseph Losey, Paris, queer cabaret
Tags: Frantz Salieri, French Cinema, History of Film, Joseph Losey, Paris, queer cabaret
Unfiltered Montreal
Montreal is a city that refuses to be reduced to picture postcard clichés. Here, the gritty dep and styled food-market, the narrow ruelles and the wide boulevards, the laughter and longing, all exist side by side, unposed and unrehearsed. Montreal Unfiltered is an invitation to witness the city as it truly breathes: raw,
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Homage to Margot Capelier, Casting Director for M Klein
Margot Capelier was known and admired in French Cinema for being the first Casting Director in France, if not Europe. She was a poignant example of a person who put their heart into the profession, helping a lot of people, but remaining in the shadows herself.
Return to Damascus is my new book of photographs, available for order, that preserves fleeting impressions and the spirit of a place through the lens. Accompanied by brief reflections and memories, the photographs offer a tribute to the place and its people, focusing on enduring character and the subtle interplay of light, architecture, and tradition. Return to Damascus is a quiet celebration of observation and memory, inviting viewers to participate.
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| How Many Roads? is a book of photographs by Jonathan Sa'adah, available for order, offering an unglossy but deeply human view of the period from 1968 to 1975 in richly detailed, observant images that have poignant resonance with the present. Ninety-one sepia photographs reproduced with an introduction by Teju Cole, essays by Beth Adams, Hoyt Alverson, and Steven Tozer, and a preface by the photographer. | |
| If you'd like more information, please have a look at this page. | |
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| To see more work To visit my blog Contact information All material © Jonathan Sa'adah no use without written permission | |
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