Losey hired Frantz Salieri to bring his flamboyant and imaginative queer cabaret style to M Klein.
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Laughter in the shadows: The chilling cabaret scene of M Klein
Posted in Artists, Europe, Joseph Losey, Paris
Tags: Frantz Salieri, French Cinema, History of Film, Joseph Losey, Paris, queer cabaret
Tags: Frantz Salieri, French Cinema, History of Film, Joseph Losey, Paris, queer cabaret
Unfiltered Montreal
Montreal is a city that refuses to be reduced to picture postcard clichés. Here, the gritty dep and styled food-market, the narrow ruelles and the wide boulevards, the laughter and longing, all exist side by side, unposed and unrehearsed. Montreal Unfiltered is an invitation to witness the city as it truly breathes: raw,
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Homage to Margot Capelier, Casting Director for M Klein
Margot Capelier was known and admired in French Cinema for being the first Casting Director in France, if not Europe. She was a poignant example of a person who put their heart into the profession, helping a lot of people, but remaining in the shadows herself.
Exploring location shooting in Joseph Losey’s M Klein
Losey used thirty two different Paris locations in shooting M Klein. They added greatly to the realism of the film, but each location brought unique challenges and often there were problems.
Rebels in class: The birth of Pilobolus Dance Theater
There aren’t many arts organizations that survive fifty years, but the energetic dance group Pilobolus has surpassed the half-century mark and is still going strong. That’s not to say that getting to fifty has been easy. Part of its secret in attaining longevity has been that since birth it’s had an audacity and questioning of conventions that’s part of its DNA.
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Return to Damascus is my new book of photographs, available for order, that preserves fleeting impressions and the spirit of a place through the lens. Accompanied by brief reflections and memories, the photographs offer a tribute to the place and its people, focusing on enduring character and the subtle interplay of light, architecture, and tradition. Return to Damascus is a quiet celebration of observation and memory, inviting viewers to participate.
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| How Many Roads? is a book of photographs by Jonathan Sa'adah, available for order, offering an unglossy but deeply human view of the period from 1968 to 1975 in richly detailed, observant images that have poignant resonance with the present. Ninety-one sepia photographs reproduced with an introduction by Teju Cole, essays by Beth Adams, Hoyt Alverson, and Steven Tozer, and a preface by the photographer. | |
| If you'd like more information, please have a look at this page. | |
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| To see more work To visit my blog Contact information All material © Jonathan Sa'adah no use without written permission | |
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