Yearly Archives: 2016

Pastelerías and bikes

My favorite way to get to know a city is on a bike. But Mexico City is so huge there’s no way – even if you lived here – to know even a fraction of its different neighbourhoods. It is large beyond imagination, and always changing. As a visitor I’m limited to narrow windows –

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Posted in Food, Mexico


Media versus reality

As the Aeromexico flight we’re on crosses the US-Mexican border I can feel a tangible change. Up until this invisible line there has been no deviation from a flight path: an arc out of Montreal and then a diagonal line towards Houston. As we cross the border flight attendants wheel a cart down the aisle full of free tequila and fruit juices and in the cockpit the captain curves the plane to the west just south of Matamoros and sets a long,

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Posted in Mexico, Travel


¿Why visit Mexico City?

 

Mexico City fills to overflowing a huge valley that even just a century ago was mostly a lake. Humans pulled the plug on the water and filled in the lake, spawning a huge city that combines new land butting up to old shoreline and islands. Like Damascus –

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Posted in Mexico, Travel


Blending in while sticking out

I think of myself as having grown up in Vermont, but there was a stint of four years when I also lived in Wallingford, Connecticut. It was the Sixties and Wallingford was a gritty industrial town outside of New Haven. It was home to a lot of Italians and also a big silver company. 

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Posted in Mexico, Social Documentary


Photography will never be the same

Over the last ten years it’s been hard not to be stunned by what’s happened to photography. Near my home is a billboard that’s pretty much owned by Apple. Recently it’s often been showing a simple black and white photo, credited to the current iPhone.

To say that the smart phone market has shaken up traditional camera manufacturers would be an understatement.

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Posted in Photography, Technology


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How Many Roads? is a book of photographs by Jonathan Sa'adah, available for order, offering an unglossy but deeply human view of the period from 1968 to 1975 in richly detailed, observant images that have poignant resonance with the present. Ninety-one sepia photographs reproduced with an introduction by Teju Cole, essays by Beth Adams, Hoyt Alverson, and Steven Tozer, and a preface by the photographer.
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